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	<title>c.martino: artist</title>
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	<description>I came. I saw. I painted.</description>
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		<title>GREED: A Love Story</title>
		<link>http://www.cmartino.com/blog/articles/greed-a-love-story/</link>
		<comments>http://www.cmartino.com/blog/articles/greed-a-love-story/#comments</comments>
		<pubDate>Tue, 24 Apr 2012 16:15:48 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
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		<description><![CDATA[Haute Daze and Derivative Nights in the Land of the 1% Opening Reception: Saturday, APR 28th 2012, 6-9pm Exhibition Runs: APR 28 – AUG 12, 2012 Co-Merge Workplace:330 A Street, San Diego, CA 92101 (map) location + directions: www.co-merge.com artist info + artwork online: www.cmartino.com About The Show San Diego artist C.Martino takes a rye ]]></description>
			<content:encoded><![CDATA[<p><em>Haute Daze and Derivative Nights in the Land of the 1%</em><br />
<strong>Opening Reception:</strong> Saturday, APR 28th 2012, 6-9pm<br />
<strong>Exhibition Runs:</strong> APR 28 – AUG 12, 2012</p>
<p><strong>Co-Merge Workplace:</strong>330 A Street, San Diego, CA 92101 (<a style="text-decoration: underline;" href="http://maps.google.com/maps?q=330+A+Street+San+Diego,+CA+92101&amp;hl=en&amp;ll=32.719169,-117.161443&amp;spn=0.011229,0.018454&amp;sll=37.0625,-95.677068&amp;sspn=43.123021,75.585938&amp;hnear=330+A+St,+San+Diego,+California+92101&amp;t=m&amp;z=16&amp;iwloc=A" target="_blank">map</a>)<br />
location + directions: <a href="http://www.co-merge.com" target="_blank">www.co-merge.com</a><br />
artist info + artwork online: <a href="http://www.co-merge.com" target="_blank">www.cmartino.com</a></p>
<p><img src="http://www.cmartino.com/blog/wp-content/uploads/2012/04/shs1.jpg" alt="" title="Sinner &amp; His Saints 1 Sinner &amp; His Saints" width="576" height="416" class="alignnone size-full wp-image-36" /></p>
<h2>About The Show</h2>
<p>San Diego artist C.Martino takes a rye look at the Good Life in GREED: A Love Story, his new series of paintings, large scale prints and sculptural tableau giving the Wall Street set their due.</p>
<p>Welcome to Lux-landia, aka &#8220;The Land of the 1%&#8221;, where the cash is always greener, the sky is always sapphire, the deals are always bigger, and the next St. Bart&#8217;s cocktail is just a private jet away.</p>
<p>Trophy wife. Trophy life.</p>
<p>And those other 99%? So not in on the deal…</p>
<p><span style="font-weight: bold; font-size: 13px; color: #df1f25;">GREED Really IS Good…</span><br />
<em>The first 99 people through the door on opening night that whisper &#8220;Greed is Good&#8221; into the Devil&#8217;s ear will receive a free signed limited edition print. </em></p>
<h2>About The Art</h2>
<p><a style="font-weight: bold; color: #df1f25; text-decoration: underline;" href="http://www.cmartino.com" target="_blank">C. Martino</a> is a San Diego based artist dedicated to transforming the mundane into the magical in an increasingly generic world of McMansions, mini-malls and bad reality TV. He is patiently waiting for his non-existent Trust Fund to fall from the sky.</p>
<p><span style="font-weight: bold; color: #df1f25;">Art @ Co-Merge</span> is a quarterly art exhibition program featuring local San Diego and regional Southern California artists curated by Project X Art and hosted by Co-Merge Workplace.</p>
<p><a style="font-weight: bold; color: #df1f25; text-decoration: underline;" href="http://www.co-merge.com" target="_blank">Co-Merge Workplace</a> is San Diego&#8217;s smart workplace solution, offering modern workspace rentals by the hour, day and month.</p>
<p style="margin: 0;"><a style="font-weight: bold; color: #df1f25; text-decoration: underline;" href="http://www.projectxart.com" target="_blank">Project X Art</a> is an art advisory and independent curatorial service focused on Southern California contemporary, alternative and underground art.</p>
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		<title>PACIFIC STANDARD TIME: THE WEST COAST (FINALLY) GETS ITS DUE</title>
		<link>http://www.cmartino.com/blog/articles/pacific-standard-time-the-west-coast-finally-gets-its-due/</link>
		<comments>http://www.cmartino.com/blog/articles/pacific-standard-time-the-west-coast-finally-gets-its-due/#comments</comments>
		<pubDate>Sat, 14 Jan 2012 06:31:35 +0000</pubDate>
		<dc:creator>Chris</dc:creator>
				<category><![CDATA[Articles]]></category>

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		<description><![CDATA[Unless you&#8217;ve been living underneath a soundproof rock (or your artist garret has REALLY thick walls) you&#8217;ve heard of Pacific Standard Time, the mammoth collaboration of more than sixty cultural institutions across Southern California coming together for six months beginning in October 2011 to tell the story of the birth of the Los Angeles art ]]></description>
			<content:encoded><![CDATA[<p>Unless you&#8217;ve been living underneath a soundproof rock (or your artist garret has REALLY thick walls) you&#8217;ve heard of <a href="http://www.pacificstandardtime.org" target="_blank">Pacific Standard Time</a>, the mammoth collaboration of more than sixty cultural institutions across Southern California coming together for six months beginning in October 2011 to tell the story of the birth of the Los Angeles art scene and how it became a major new force in the art world.   Here on the Left Coast we take it as a given that Southern California gave birth to many of today&#8217;s most vital artistic trends, but the rest of the world (hello NYC) has remained largely (proactively?) ignorant and aloof  to the immensely rich story of how this came about. To document this pivotal moment and bring it to life for a wide audience, the partner institutions in Pacific Standard Time offer a comprehensive series of exhibitions and programs that taken together are nothing less than a new vision of the arts today, and how Los Angeles and Southern California has played a decisive role in their development. From a branding perspective (have to tie it back to the biz, right?) its a fantastic example of how an entire region (SoCal) is (re)defining how it is perceived to the world of art at large.</p>
<p><img class="alignnone size-full wp-image-6" title="pxm_blogpic_PST" src="http://www.cmartino.com/blog/wp-content/uploads/2012/01/pxm_blogpic_PST.jpg" alt="" width="488" height="350" /></p>
<p>PST encompasses a TON of exhibits -  I&#8217;ve been doing my best over the past several months to check these out. Following are my Top 10 PST &#8220;must see&#8217;s&#8221; so far. You can check the full roster of goodies <a href="http://www.pacificstandardtime.org/exhibitions?view=list" target="_blank">here</a> Some of these exhibits only have a few weeks left before they come down, so do yourself a favor and call in a sick day, jump in your car and GO SEE SOME ART.</p>
<p><strong>1. The GRAMMY Museum</strong><br />
Los Angeles, CA<br />
<em>Trouble In Paradise: Music and Los Angeles, 1945-1975</em><br />
February 22, 2012 – April 2, 2012<br />
Trouble in Paradise explores the pop music scenes of Los Angeles, and their related culture, politics, and popular art, during the years of 1945-1975. Trouble in Paradise include surf rock, jazz, R&amp;B, Laurel Canyon folk rock, the Sunset Strip rock scene, and the East L.A. Chicano sound. And lets not forget the Hardest Working Man in Show Biz – James Brown! (Don&#8217;t forget to check out the Listening Booth)</p>
<p><strong>2. Museum of Contemporary Art (MOCA)</strong><br />
Grand Avenue, Los Angeles<br />
<em>Naked Hollywood: Weegee in Los Angeles</em><br />
November 13, 2011 – February 27, 2012<br />
In 1947, the tabloid photographer known as Weegee relocated from New York City to Los Angeles. In doing so, he abandoned the grisly crime scenes for which he was best known and trained his camera instead on Hollywood stars, strippers, costume shops, and naked mannequins, sometimes distorted through trick lenses and multiple exposures. This is the first museum exhibition ever devoted to the body of work Weegee produced in Southern California and includes his 1953 photo-book Naked Hollywood, roughly 200 never-before-seen photographs as well as the photographer‖s related work as an author, filmmaker, and photo-essayist.</p>
<p><strong>3. Los Angeles County Museum of Art (LACMA)</strong><br />
Los Angeles, CA<br />
<em>California Design, 1930–1965: &#8220;Living in a Modern Way&#8221;</em><br />
October 1, 2011 – March 25, 2012<br />
The first major study of California mid-century modern design features more than 350 objects—furniture, ceramics, metalwork, fashion and textiles, architectural drawings and photographs, and industrial and graphic design.</p>
<p><em>Edward Kienholz: Five Car Stud 1969 – 1972, Revisited</em><br />
September 4, 2011 – January 15, 2012<br />
Ed Kienholz‖s Five Car Stud, created for Documenta 5 in 1972, has never been seen publicly in the United States. This life-size tableaux depicts a black man caught drinking at night in his pick-up truck with a white woman; his vehicle has been surrounded and trapped by the parked cars of his six white captors. Easily the most disturbing and powerful piece I&#8217;ve seen in a long, long time. Can&#8217;t believe its been in storage for 40 years…</p>
<p><strong>4. A + D Architecture and Design Museum</strong><br />
Los Angeles, CA<br />
<em>Eames Designs: The Guest- Host Relationship</em><br />
October 1, 2011 – January 16, 2012<br />
&#8220;The role of the designer,&#8221; said Charles Eames, &#8220;is that of a very good, thoughtful host, all of whose energy goes into trying to anticipate the needs of his guests.&#8221; Features key vintage furniture pieces, Eames films, slide shows and quotes, the exhibition suggests that one reason why the designs have endured is that ideas like the guest-host relationship were, to the Eameses‖, products as essential as their chairs.</p>
<p><strong>5. Fowler Museum at UCLA (with UCLA Chicano Studies Research Center)</strong><br />
Los Angeles, CA<br />
<em>Mapping Another L.A.: The Chicano Art Movement</em><br />
October 16, 2011 – February 26, 2012<br />
A collective re-imagining of the urban landscape through photography, graphic arts, murals, and large-scale architectural plans, as well as through painting, sculpture, installation, and drawing via the Chicano movement. The work is at once local, identity-based, and global in orientation, exploring the uncharted spaces between Mexican tradition, Chicano vernacular, and American modernism.</p>
<p><strong>6. The Getty Research Institute</strong><br />
The Getty Center, Los Angeles, CA<br />
<em>Greetings from L.A.: Artists and Publics 1945–1980</em><br />
October 1, 2011–February 5, 2012<br />
A ton of cool personal, promotional and marketing ephemera revealing how key West Coast artists disseminated their works to a broader public.</p>
<p><strong>7. Museum of Contemporary Art (MOCA)</strong><br />
The Geffen Contemporary Los Angeles, CA<br />
<em>Under the Big Black Sun: California Art 1974-1981</em><br />
October 2, 2011 – February 13, 2012<br />
The most comprehensive survey exhibition to date to examine the exceptional fertility and diversity of art practice in California during the mid- to late 1970s. Features works by approximately 125 artists working in a wide array of mediums and styles. The exhibition demonstrates how collective loss of faith in government and other institutionalized forms of authority yielded a pluralistic spirit of freedom and experimentation that reached its artistic apex in California, already a fertile ground for creativity and non-conformity.</p>
<p><strong>8. Museum of Contemporary Art San Diego (MCASD)</strong><br />
La Jolla and Downtown San Diego<br />
<em>Phenomenal: California Light, Space, Surface</em><br />
September 25, 2011 – January 22, 2012<br />
Presented in MCASD‖s two locations (dTown + LJ), Phenomenal focuses on perceptual investigations by artists that began in Los Angeles and Southern California in the 1960s, fomenting many of the most vanguard practices engaging young artists today. These intrepid artists pioneered distinctive approaches that focus on visual perception rather than discreet objects. The exhibition includes paintings, drawings, resin and acrylic sculptures as well as site-responsive installations in which the predominant medium is light.</p>
<p><strong>9. Museum of Latin American Art (MOLAA)</strong><br />
Long Beach, CA<br />
<em>MEX/LA: &#8220;Mexican&#8221; Modernism(s) in Los Angeles 1930-1985 14</em><br />
September 18, 2011 – January 29, 2012<br />
MEX/LA: &#8220;Mexican&#8221; Modernism(s) in Los Angeles 1930-1985 focuses on Mexican modernist avant-garde art created in Los Angeles between 1945 and 1985 with a prologue on Mexican muralists and painters of the 1930s. Mexican modern art has often been viewed with particular stereotypes that have perpetuated a commonly simplified perception. This exhibition challenges that perception and offers an open-ended revisionist history of Mexican Modernism.</p>
<p><strong>10. Norton Simon Museum</strong><br />
Pasadena, CA<br />
<em>Proof: The Rise of Printmaking in Southern California</em><br />
October 1, 2011 – April 2, 2012<br />
Proof explores the significance of printmaking and its new possibilities as first re-envisioned in post-war Southern California. The exhibition includes works by the local founders of this movement such as well as those who made their way to print specifically in Los Angeles.</p>
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